Every piece in the catalogue is a starting point. Change what you need to, or start from nothing at all.
The simplest commission is a catalogue piece, altered. Most of what leaves the workshop has been changed from the listing in at least one way — a different velvet, a deeper seat, a leaf tone taken further back. Send us the piece and what is wrong with it for your room, and the conversation starts there.
Width, depth, seat height and leg length are all redrawn routinely — a settee taken to the length of a specific wall, a console made shallow enough for a corridor. Finishes are chosen from what the workshop mixes rather than from a fixed chart, upholstery can be our fabric or one you supply by the metre, and where a piece is offered in timber it can usually be offered in another.
A full commission begins with the room rather than a product. A floor plan, a photograph, or the measurement between two walls is enough to open it. We draw, you mark it up, we draw again — and nothing is cut until the drawing, the finish sample and the price are all signed off in writing.
Carved, jointed, polished, upholstered and finished on the same benches as everything else — by the same people, in the same order. A commission is not sub-contracted out because it is unusual. You are told when it goes into production and when it comes off.
White-glove delivery anywhere in Pakistan: carried in, unwrapped, placed in the room it was drawn for, and the packaging taken away with us. Doorways, lifts and stair turns are measured before production rather than discovered on the day.
Thank you
Your brief is on screen and nothing has left this page — this is a demo build. On the live site it reaches the studio and we come back within one working day with what we would draw and what it would cost.
In the meantime you can send the same brief straight to the studio:
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